'Frankie Bradshaw – rising star of stage design – has created a wasteland of toppled telegraph poles, chunks of masonry, a half-blasted tree, a burned-out car. Smoke curls up; embers glow, finely lit by Jai Morjaria. Among the far-off crash and boom of explosions, the thin tinkle of a musical box.'  **** Observer

'Adapted by Emily Burns, it is a smart, spare, modern dramatisation, in which Frankie Bradshaw’s enveloping set design is the star of the show.' Guardian 

'The stage set is an elegant geometric structure in forbidding gray, comprising a number of doors, balconies and stairways, representing the various Scottish castles in which much of the action unfolds. Thin, vertical streaks of blood gradually materialize on its walls as the story progresses.' New York Times